“Okay, lunch break is over! We’ll be continuing the tour in this direction.”
You look up to see that your tour guide has returned, so you stand up from the table and follow him as he makes his way down a poorly-lit hall.
“Historians have noted that the last known master of the castle, Lord Ludvig Lykin, was a famous biologist who, like the rest of his family, had a particular fascination with dogs. He was reportedly trying to infuse the local villagers with canine blood, in order to heighten their senses, strength and tolerance for pain. Some even say that he was toying in black magic to make his theories come to life and that he eventually went mad conducting his experiments, killing his family in the process.
“We’re approaching his study now, so you’ll be able to see for yourselves Lord Lykin’s sketches and notes. I do ask that you please not touch anything, but you may look all you like.”
You enter the study to find the walls surrounded by bookshelves, packed with books and coated in dust. The room also contains two tables, covered with scattered papers, where you see anatomical drawings of humans and dogs. You also see some sketches of what appear to be half-man, half-dog creatures, presumably something this Lykin fellow intended to create.
As you and your fellow tourists mill about the study, Von Türgyön sits in a chair in the corner of the room, waiting until the group is ready to move on. He tilts the chair back, leaning it against the wall. Suddenly, the whole room begins to shake and one of the bookshelves slowly begins to spin. When it stops, a passage is revealed behind it, leading down a dark tunnel.
A visibly startled von Türgyön jumps from the chair to inspect the displaced bookshelf, but as the chair falls back to its original position, so too, does the bookshelf begin sliding back to its original placement along the wall. The tour guide quickly places his hand on the wall and pushes in a brick where the chair had leaned and then wedges the chair against it to keep the passage clear.
“Well, this is interesting,” he mutters. “It seems this tour will be taking an unexpected turn into a never-before-seen secret passage, hidden deep in the Lykintrop Castle.”
He turns on an electric lantern and leads you through the very dusty hallway. You begin to question the safety of the tour as you’re lead past walls filled with cobwebs and then down a very steep spiraling staircase. Finally, the lantern reveals an open chamber, sparsely furnished but for a table in the center upon which your guide places the lantern. You can feel some loose sticks on the floor but can make out little with your eyes.
A match flares from the corner of your eye and the light quickly intensifies. Von Türgyön has found a torch, mounted on the wall, and used it to shed light on the room. He finds two more torches and ignites them, as well, making everything clear. The table in the middle of the room appears to be an altar and the sticks you felt on the floor are actually bones. You can make out some skulls, both human and canine, in parts of the room and a chill runs down your spine.
Your guide, meanwhile, has found another door and moves to open it, his lantern back in hand. You stay close behind him and as his light shines on this adjacent room, you can see a gallows, built over a deep pit.
Von Türgyön enters the room, holding the lantern before him to light up his way. He stops before a small table and puts the lantern down, reading some papers on the table.
“It’s a list of people that were put to death in here. These names look familiar. Some may have been ancestors of the local villagers. Some were a part of the Lykin family itself.”
He moves the papers around and continues reading.
“I think these were written by Ludvig Lykin himself. The language has changed a bit, but I can interpret some of it. According to these papers, Lykin was successful in his experiments. He created some sort of wolf-man, but couldn’t control him. His wife and children were killed, but the wolf-man escaped. Lykin believed that it bred with the villagers and he spent the rest of his life attempting to hunt down and kill the offspring. But it wasn’t easy, since the creatures looked like regular people during the day, only transforming when the sun went down. He used these gallows to put people to death, noting that their transformation would take place after being lynched. He killed dozens of people. Some were the true descendants of the wolf-man. But others were not. The town elders demanded that he stop. But Lykin believed the entire town had been infiltrated by wolf-men and continued doing his work. He feared that the descendants would spread and potentially infest the entire world.
“As a last resort, he turned to black magic. He cursed his own castle so that the power of the wolf-men would lie dormant everywhere else in the world. Only under this roof and under the cover of darkness would their transformation take place. Additionally, if any wolf-man were to enter the castle, no one could leave until they were killed. But it wasn’t Lykin who would kill them. For to fulfill the curse, he had to follow an order, which he writes was given to him by the devil himself. Lykin had to take his own life, spill his own blood on the altar, in order to complete the pact.”
The castle rumbles. Von Türgyön looks up and then looks at his watch.
“My goodness, I’ve lost track of time. It’s getting late, so we’d better get back to the tour bus and go back into town.”
You all trot back upstairs, through the study and towards the entrance of the castle. The large iron door leading out has mysteriously closed. You all lean against the door, but it won’t move an inch, despite your best efforts. It’s almost as if some force were pushing against it from the outside.
Von Türgyön leads you to another exit, but it, too, can not be opened.
“Crap. I think we’re stuck here for the night. I know there’s another door out of here somewhere, but I can’t remember where it might be. There are a number of bedrooms on the second floor. We’ll sleep in them tonight and in the morning, we can try the doors again or look for another way out.”
You all move upstairs and find empty rooms where you can spend the night. You walk into one of the rooms, closing the door behind you. The dusty old mattress isn’t terribly comfortable, but it’s a fair resting place. You sleep anxiously through the night, ready to get out of this place as soon as the sun comes up.
Sending the roles out now. The rest of the story will follow.